It now reminds me of that series and that part of the series. It is a critical song in the newish BBC series, Normal People. Davo Z from Calgary, CanadaBeautiful and haunting."Why'd you say, Why'd you say, Why'd you say, What did SHE say". The imbalance between the right and the left, the imbalance between the divine masculine and the divine feminine.
It's loss, tragedy and longing on a micro and macro level, from personal tragedy, to large-scale atrocities, to the 'takeover', industrialization, power, changing (or destroying) the planet and humanity as we know it. it's all of the things each of you have described below. the composition, the words, the recording style. Tiffany from Vancouver, CanadaThis song is brilliant.There's something bigger than what I am experiencing. I listened to it every single morning on my commute to my student teaching placement, while dropping my dad off at the bus stop so he could go to work. I don't know how I came to it, but something about it struck me. Elyse Marie from Rochester, NyAll I know is my experience with this song.I guess it related so close to my situation at a point in my life, I just went with it. Maybe it is farfetched, that's why it hasn't survived the google search. I'm just throwing this out there as something I read about the song a long time ago. It was said that the lyrics, "Trains and Sewing Machines" was referring to a wedding dress being made for the wedding. In this interpretation, the song was about a couple engaged and soon to be married when one of them changed their mind and left suddenly as in calling it off and the other coming home to an empty house after the person unknowingly move out. Unfortunately, I don't remember the source. In 2008, I was looking for the meaning of this song. As information gets added to the world wide web, old information falls back in the abyss. I just wanted to throw out one thing that I did not see interpreted clearly (I didn't read every comment) and kind of danced around (except for the Holocaust interpretation that was very good). Jim from Baltimore, MdThese are some absolutely amazing interpretations.I don’t think I’ll ever hear a song i like more than this.
she said the raw energy and emotion of the moment inspired her to write a song with such passion. I will also include the fact, that Heap used some of the confusion and pain from Bush’s face when alerted that the Twin Towers were struck on 9/11. The lyrics are so beautiful and imply so much more on the bare surface. The use of the vocoder (and much like the song “Woods”, the absence of music) creates a stripped sense with the feelings of confusion. “Trains and sewing machines” implying a wedding dress that is now useless. (The repetitive nature of that last sentence created a tone of annoyance and an inability to write creatively.) This song is about a loss. The use of the vocoder in this song creates a blatant and obvious sense of distortion and confusion. The takeover, the sweeping insensitivity of this still life. Whatever tool Heap chose to pair them with would be no match for the exposed and vulnerable tone of what was written.Ĭrop circles in the carpet, sinking, feeling. Above all others, I have never heard a song more beautifully written which can so flawlessly access raw and painful emotion through just lyricism. I know what some of you might be thinking: “Aaron’s running out of songs with auto-tune in them,” and to that I answer: “No.” I chose this song because it is my favorite song. But if you listen to the song, I don’t think anyone would argue that the sounds are palpably similar. It just doesn’t use the normal auto-tune electronic phase vocoder. I’ll give you guys a disclaimer: THIS SONG DOES NOT ACTUALLY USE AUTO-TUNE.
Okay, so I’m cheating a little bit by posting this one.
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